TPR Featured Band-to-Watch: Deep Space

Written By: Chris Parsons

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February 2013’s release from Deep Space— “Cosmic Waves”– should be noted as a highlight for the month, as well as for the band’s career as they’ve been gradually emerging within the buzzing world of Austin, Texas’ psychedelic music scene, and this debut studio EP pushes them even further, recently having the honor of opening for the likes of Psychic Ills, Ringo Deathstarr, and Holy Wave…all on the same billing!  Now, you might think that with Texas’ history of high velocity psychedelic acts (such as The 13th Floor Elevators, Golden Dawn, Bubble Puppy, not to mention the whole, contemporary Austin Psych Fest scene/community) it’d be tough to make a significant impact or strive to make your sound original enough to stand out and grab everyone’s attention. But Deep Space does just that, establishing themselves as a heady, wall-of-sound quintet with a hankering for surf-groovy, astronaut rock. These dudes aren’t out to cop anyone’s psyche style but rather, any associations that come to mind seem totally derivative and second-nature, probably slipping out of their own mind-manifesting and reverberating music collections. If anything, their total sound is ultimately a tribute to the rich culture of Texas’ abundant music scene, then and now, and even draws allusions to the commonplace mythos of NASA’s space center.

The 4-track “Cosmic Waves” EP is a great introduction to Deep Space‘s sound, exhibiting a strong magnetism for slow-burner grooves, and heavy psych drone jams in the vein of blending layered, krautrock-style earworm hooks and subtle ragas. A big staple of the warm and full sound on this record is definitely the two guitarists’ use of 12-string axes, replicating a similar sound to dual sitars. The reverb-drenched vocals also infuse a heady, cavernous effect into the larger-than-life rock as the drummer and bassist tend to lock into a mutual groove that is both deliberately paced, yet propulsive, sending out gripping vibrations that’ll have your spine snaking in a funk. To close out the album, we’re even graced with a powerhouse live recording of “Strawberry”  at Hotel Vegas, as if Deep Space had something to prove before their introduction was through. This intimate EP captures every angle of this band of adaptive up-and-comers, and what’s more, it appears that they personally tended to each aspect of producing, recording, mixing, and mastering to ensure that their living sound and energy was properly relayed to their audience, down to the very frequencies of their intricate and pulsating sound.

TPR Featured Interview: Christian Bland of The Black Angels

By: Jordannah Elizabeth

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There are so many amazing bands releasing and touring new albums this Spring, and we’ve been doing our best to keep track of them all. The Black Angels have been hard at work on their new album, and now we are encroaching on the eve of the release of their fourth studio album, “Indigo Meadow.”

I asked Christian Bland a few concise questions about the new album, Austin Psych Fest, and his personal take on his hopes for the new album and the band’s upcoming multi-city tour.

Your new album, Indigo Meadow is due for release April 2nd. Tell us a little about how you started writing and recording the album?

A lot of the songs were written throughout 2011. Then the band came together in January of 2012 and started working on the new songs together in Austin. We had around 30 songs we were working on from January-July. In August, we went to Sonic Ranch in Tornillo, TX and recorded 16 songs, 13 of which are on the album.

Who mixed and produced Indigo Meadow?

John Congleton from Dallas, TX.

Will you performing new songs at Austin Psych Fest?

Definitely.

Any important details you want to share about Austin Psych Fest 2013?

We’ve moved the fest to Carson Creek Ranch, which is the vision we had from the beginning of the festival, which was to have it outside in a huge field by a river, with camping. We’ve been waiting 6 years to have BRMC and Clinic play the festival, so we’re really excited to have them this year. There are so many amazing bands on the line-up. It’s going be a good time. Check out www.AustinPsychFest.com for more details.

Back to the album, did you guys have a specific influence or theme you were going for on this record?

Not really. I don’t think we ever do. A theme naturally develops. I think it’s because the songs were written during a specific period of time, therefore we were in a certain frame of mind. There are lots of influences on this album. Most are the usual that we’ve pulled from in the past.

You’re going to be touring this album soon. What are your hopes for this leg of your American tour?

Hopefully we play to more people. I’d like to reach as many people as possible with our songs and live visual show.

What are you looking to convey to the fans? Do you have any expectations of your fan’s response to Indigo Meadow?

I think our message has always been what the 13th Floor Elevators sang about in “Rollercoaster,” which was that you’ve got to open up your mind and let everything come through. We’d like to encourage people to rethink their preconceived notions. We’d like people to enter into our world for a night.

Do you think you’ll ever get sick of Austin, TX and want to live somewhere else?

I don’t think so. I love it here.

With the success of Austin Psych Fest and the quality you have to deliver each year, do you still enjoy putting on the event?

Absolutely. We have a good team around us. The core is the 4 of us (Rob Fitzpatrick, James Oswald, Alex Maas, and myself) but the festivals grown so much that we’ve needed to hire more help.

What’s your favorite track on the new record?

Today, ‘I Hear Colors’ …tomorrow, ‘Always Maybe’

To be released April 2, 2013 by Blue Horizon Records:

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1) Indigo Meadow
2) Evil Things
3) Don’t Play with Guns
4) Holland
5) The Day
6 )Love Me Forever
7) Always Maybe
8) War on Holiday
9) Broken Soldier
10) I Hear Colors (Chromaesthesia)
11) Twisted Light
12) You’re Mine
13) Black Isn’t Black